With oedipe paris opera pulls
A book was dedicated to him in 1990 (En toute Liberté) and all his shows were published in 2010 by Editions Favre. In 1989, the company received the Prix théâtre de la Fondation pour la Culture de l’Etat de Vaud. He has directed some 30 plays, which have been produced in the most prestigious theatres in Switzerland. With his own theatre company, he has created L’Envie by Christophe Gallaz and the Compagnie professionnelle de théâtre Gianni Schneider in October 1988. In the 1990s, together with several directors from Lausanne, he founded the Pull Off Théâtre collective, creating shows for the Festival de la Cité such as Hôtel O – l’érotisme au théâtre and The Seven Deadly Sins. He has worked as an assistant to Giorgio Strehler in Milan, to Matthias Langhoff in Paris and Lausanne, to Maurice Béjart in Lausanne, and as an assistant and playwright to Thomas Ostermeier in Berlin. His latest creation to date is the Quintet for clarinet and strings in March 2022.Ī director of German origin on his father’s side and Italian on his mother’s, Gianni Schneider is based in Lausanne.
With its refined writing and its sure craftsmanship, this is a score that is unquestionably to be placed alongside the great requiems of history. Or Thierry Dagon in the Revue musicale suisse: “His Requiem is a deeply moving page.
He tries to resolve the tensions between the fear of death and serenity, between a dodecaphonism with tonal roots and polytonality”. On this subject, let us quote François Hudry, producer at France Musique: “Christian Favre is a romantic, passionate and tormented musician. Christian Favre is the author of chamber music works as well as a Requiem premiered in Buenos Aires in 2008. Since 1985 he has been a professor at the Haute École de Musique de Lausanne and regularly gives master classes.
As the pianist for the Schumann Quartet from 1996 to 2016, he has given numerous concerts and performances. He has also performed with, among others, François Guye, Tedi Papavrami, Pierre Amoyal and Raphaël Oleg. He has performed in recitals, in chamber music and with orchestras throughout Europe, under the direction of Armin Jordan, Franz Welser Möst, Tibor Varga and Jesús López Cobos. An artistic and historical journey that the spectator is invited to extend through the reading of a book devoted to the genesis of the creation and the dramatic and musical evolution of the figure of Davel through the centuries.Ĭhristian Favre is a Swiss-born musician with a triple career as a pianist, teacher and composer. After three years of work, they are ready to reveal the doubts and certainties of his struggle, together with the key characters of his tragedy: the Bernese Ludwig von Wattenwyl, the high commander of the Pays de Vaud in charge of the investigation against him, friend and traitor Jean-Daniel de Crousaz, who denounced him to the Bernese authorities, and the Belle Inconnue, a fleeting, luminous incarnation of his mystical visions which are at the heart of the revelation of his destiny. What remains today of this martyred figure who became a legend in 1803 with the independence of Vaud and was subsequently elevated to the rank of icon halfway between history and folklore by countless publications and events? Three hundred and fifty years after his birth in Morrens, the Opéra de Lausanne asked two artists from the canton of Vaud to capture this charismatic figure and to make him resonate in words and notes for today’s audience. These are the words that the walker can read on the monument erected in Vidy in memory of the famous major, on the very spot where the Bernese gallows where he was beheaded stood. “Here Davel gave his life for his country.